Ben Harper bio

“I’ve never made a record that was such a timeline,” says Ben Harper of his new album, Give Till It’s Gone. “It’s a real extension of the last year and half in my life, and all these sounds are inspired by my experiences. It’s as honest a musical statement as I could make.” The recent past has certainly seen Harper at a creative peak, juggling several high- profile, far-flung projects. Yet somewhere amidst all this activity, he found the time and the focus to write a new set of songs that represents the most personal and diverse collection in his career.

The first clue to his intentions can be found in the fact that Give Till It’s Gone is credited simply to Ben Harper. “You can’t tell which band is playing—it just sounds like me,” he says. “I wanted to create a fresh sound that was also directly connected to the feel of everything I’ve ever done.”

The songs on Give Till It’s Gone are nothing less than a revelation. They express one man's struggle, confusion, and, ultimately, redemption. Harper lays it all out in "Don’t Give Up On Me Now," the album's opening track. "I need to change/I don't know how," he sings. "You can wait your whole life not knowing what you're waiting for."

In the end, Harper hangs on to hope, and to a sense that love still offers a road to salvation. "Do It For You, Do It For Us," the album's final song, celebrates "the trinity of honor, love, and trust." And ever since spending his childhood growing up in his family's instrument store, he still believes in the cathartic power of music.

He rattles off the ways in which different encounters have left their mark on his work, such as the impact of a show last summer in London at which he opened for Neil Young. “He was singing ‘Rockin’ in the Free World,’ and my mind turned into a tunnel," he says. "All I heard was ‘rock, free, rock, free.’ I went back to my room and I wrote the song ‘Rock n Roll is Free’ in its entirety, I was so inspired by Neil that night.”

Harper notes that he intended that the title of this liberating anthem, the album's first single, to have multiple meanings. “Rock ‘n’ roll has never been as free as it is now, in every sense of the word,” he says. “It’s just waiting for you all the time, and it won’t costyou to take musical chances, to expand your palette and your mind. It’s great to be part of this transitional age that’s happening.”

The “turning point” in Give Till It’s Gone, Harper says, came with the recording of “Spilling Faith,” a psychedelic-tinged song that sounds like an outtake from Revolver, featuring the inimitable drumming of Ringo Starr. The two musicians became friendly after meeting at a benefit concert at Radio City Music Hall in 2009, and Harper's band Relentless7 backed up Starr on a number of promotional shows last year.

“Ringo came in the studio and we all just talked for an hour,” says Harper. “He said, ‘I want this to be a really positive, uplifting song’—he laid out the guidelines. So we all co- wrote the song, and the recording is live, exactly as it went down.” In fact, the energy in the session was so great that “Spilling Faith” led into an additional six minutes of instrumental jamming, which became an additional track titled “Get There From Here.” When the playing finally wraps up, Ringo can be heard on the record saying with a laugh, “The song is like half a minute long, and the fade is an hour!” “That song unlocked the entire record,” says Harper. “It was a huge musical moment for this band, and I’ll never forget that day as long as I live.”